PSE 201 The Art and Early History of Papermaking
3 credit hour course, fall semester, no pre- or co-requisites.
MW lecture 9:30-10:25am 210 Walters Hall
Tu studio 2-5pm 102 Walters Hall
Meets General Education standards for "The Arts"
Course description and objectives - (scroll down)
Imagine our modern world without paper! Arnold Grummer has. In May of 2007 Arnold commented on his family owned company web site <www.arnoldgrummer.com> "Paper is amazing. It is thin and relatively fragile, yet most of the world's wealth and much of the world's fate are committed to it."
To appreciate how influential paper medium has been in human history, one should learn how human communication evolved. Dard Hunter has been recognized as the world's foremost authority on paper and papermaking <http://www.friendsofdardhunter.org>, <http://www.ipst.gatech.edu/amp/collection/museum_dhunter.htm > . Although Dard did not live to experience the e-age of communication, he describes the development of civilization in three stages; from speaking to one another, to drawing one's ideas and thoughts onto a practically immovable medium followed by printing, typically on paper, and capable of informing millions simultaneously.
Join me this fall as we explore prehistoric communication expressed in drawings such as found in the Altamira cave in northern Spain.
"cave painting: bison." Online Photograph, Encyclopedia Britannica Online. 18 Mar. 2008 <http://www.britannica.com/eb/art-28985>
Learn how civilization progressed in their ability to communicate ranging from etching pictographic jiaguwen onto oracle bones discovered in China to ancient cuneiform script writing on clay tablets unearthed in the Middle East. Find out why papyrus, which was painted with Egyptian hieroglyphs, is not true paper.
Is paper the ideal communication medium? No. But, the invention of paper (accredited to Ts'ai Lun in China, 105CE) was considered so important that it was held secret for approximately 500 years. Learn the techniques of this ancient art still in practice today and pass it on to your roommate, your friends and even your children some day.
While you absorb some history leading up the invention of paper and the spread of papermaking to western cultures, enjoy hands-on studio sessions creating paper art. 'Get your feet wet' preparing mulberry bark fibers simulating the ancient Chinese papermaking techniques. Check out Maxine Seelenbinder's video "Natural Inclusions Demo" at <http://www.homesteadmill.com/video.html> and experiment with inclusions. Try your hand at pulp painting. Perhaps you will want to create some layered or laminated paper art. Maybe you're more interested in a printed paper art collagraph. No matter which form of paper art you prefer, DO try this at home! And before the semester is over, help choose a favorite recipe, plan and execute a larger scale paper art production run using our semi-automated sheet former.
Two hours of lecture and three hours of studio per week. This papermaking course provides a historical (Asia - far east) and artistic perspective in both lecture and studio formats. History lectures will include the influence of paper art form in non-western cultures. Studio sessions may vary but generally will include historical papermaking by hand as well as more modern techniques in the creation of paper art forms.
- Describe the origins of papermaking and its spread from far eastern cultures to its introduction into western society.
Course text book on reserve at Moon Library: Papermaking: The History and Technique of an Ancient Craft by Dard Hunter
- Demonstrate basic knowledge and understanding of how paper influenced ancient Asian cultures and civilization and its role in world history.
Paper Goddess shrine in Japan, <http://www.hiromipaper.com/newsletter/34memories.htm>
- Describe the far eastern culture history of using paper as an art form including:
"Two Dinos" by Fumiaki Kawahata from <http://www.origami.com/gal_twodinos.html>
First two examples: "Tide Marbling" and "Peafowlish Marbling" from <http://www.victoriapaper.com/turkey.html>.
Demonstration from <http://www.hiromipaper.com/newsletter/34memories.htm>
Also check out Mimi Schleicher's web site, <http://www.marbling.com>
First two examples: artist(s) unknown
Papercut butterfly from <http://www.sinopaperart.com/butterfly.htm>
- Discuss basic fundamental concepts of fiber characteristics and papermaking as its use relates to artistic expression. Making 'true' paper requires plant and/or tree
Photo by John Crist and Ron Teclaw <http://www.forestprod.org/cdromdemo/pf/pf8.html>
orginally accomplished through beating and macerating by hand that evolved to beating and refining using machinery.
First photo from <http://www.awagami.or.jp/awawashi>
Last two photos; Valley Beater & KRK Refiner, are taken during PSE 302 Pulp and Paper Laboratory Skills
Forming paper from prepared fibers using a mold (or mould) began with cloth stretched over bamboo sticks with variations of this concept still used today in hand making paper <http://www.tappi.org/paperu/art_class/makingPaper.htm>. The mould evolved into a wire for machine made paper.
First photo from <http://en.wikipedia.org/wiki/Papermaking>
Second photo is of the wire section (shown with suspended light green prepared fibers) of the small paper machine used in PSE 302 Pulp and Paper Laboratory Skills
Removing the paper from the mould/wire and Drying the sheet is often the last step but may be just the beginning process for many end-uses of paper.
- Apply imagination in choices of papermaking materials for artistic expression.
Course text book on reserve at Moon Library: 300 Papermaking Recipes by Mary Reimer & Heidi Reimer-Epp
Tour our campus to view examples of paper art work donated by International Paper Company
- Create a portfolio of paper-related art forms including hand-made paper, paper marbling, and other paper artistic forms.
- Develop an artistic paper grade suitable for production on a semi-automatic sheet former.